“…keep on throwing pride for me…and I…will…be…okay. 🎼 ” – Tish Jones
Tish Jones: Poet, Artist, Educator, Lover of Words, Founder and Executive Director, TruArt Speaks!
I call her ‘Liberation Theologian’ because every time she speaks, 🗣, she is liberating minds, challenging us to confront our fears, teaching us about how to create authentic relationships with young people, and inspiring us to believe that “We gon’ be alright!” –
“I’m going to release my new book, ‘The Past is Perfect: A Memoir of a Father Son Reunion.” Author Alexs Pate, in studio with me in late fall 2019. “I want to talk about that absence, but also about the reunification of this family.”
“There is a space between my son and me, an emptiness. It happened over a twelve year period. It’s dark and cavernous there. Voices disappear there. No echo. He lived and had experiences, I lived and had experiences, we were separate. But knowing that the empty space exists only makes me want to know him more…”
Join me and my guest, Alexs Pate, who’s teaching us about the pain of loss and the possibility and power of reunification of fathers and their children. For every Black man who has ever lived under the myths about your absence from your children, this is for you.
“This is a call from an inmate at the Lino Lakes Correctional Facility. If you want to accept, press 1, if you choose not to accept, you may hang up. (Repeat)”
I first met Kevin Reese by phone, in 10-12 minute increments. He was incarcerated and I was hosting Urban Agenda live with in-studio guest, Vina Kay. Vina was leading Voices for Racial Justice, an organization that was seeking to garner support for its new Bridge Program, work to bridge incarcerated people with people in community to assure human connection, to rebuild relationships, and to remind the world of the humanity of our beloved who are inside.
“You have 1 minute” – during our first show together, as Kevin was giving his testimony, that voice came on, warning of 1 minute. Tune in to hear Kevin’s response from that show in 2015, as Kevin hears it himself for the first time on this episode, a free man, in 2019.
In this segment of Urban Agenda, I’m in studio with Rekhet Si-Asar, Founder of ‘Ink Black Ink’, and Lesley Anne Brown, Author of ‘Decolonial Daughter: Letters from a Black Woman to her European Son‘. Join us as we explore myriad issues that are a part of living as black women in the world, and our strivings to celebrate ourselves and our sisters!
In Black Ink (IBI) has made it their purpose to make sure the stories of Minnesota’s black communities are heard. With a FUBU (For Us, By Us) mentality, IBI strives to capture the untold stories of African heritage Minnesotans by creating and publishing a database of black writers, editors, illustrators, distribution reps and other publishing.
A Trinidadian-American writer and activist explores motherhood, migration, identity, nationhood and how it relates to land, imprisonment, and genocide for Black and Indigenous peoples. Having moved to Copenhagen, Denmark from Brooklyn over 18 years ago, Brown attempts to contextualise her and her son’s existence in a post-colonial and supposedly post-racial world where the very machine of so-called progress has been premised upon the demise of her lineage. Through these letters, Brown writes the past into the present – penned from the country that has been declared “The Happiest Place in the World” – creating a vision that is a necessary alternative to the dystopian one currently being bought and sold.
“When I hear Black people saying, “Man, nothing’s happening with our people. We’re making no progress. It seems like we’re standing in place”, I think of Moody Greene and the 200-meter dash!
When we were coming up in middle school, Moody Greene was our runner. He had terrible form for the 200-meter, wagging his head back and forth as he ran, a fact that frustrated his coach and fans, that is, until Moody won the race, when the end ultimately justified the means.
As Moody would round the corner, people would shout, “Where’s Moody? I can’t see him! He’s nowhere to be found!” It never failed, though, that as soon as all of the runners were visible on the track, there was our Moody, out front, leading the way to the finish line!
“This”, Mahmoud said, “is analogous to the struggle of Black people in the 21st century, we can’t yet see around the corner, but as soon as we do, we will see our Moody, spearheading the road to our freedom, all the way to the finish line.””
Professor Mahmoud El-Kati, Professor of American History at Macalester College
My mentor, intellectual hero and friend, shared his love of black people in the telling of this story. This is the genesis of ‘Urban Agenda’, a desire to share our history, left for us in literature, art, mythology, story, custom, language and culture by our Ancestors. It is my belief that examination and reflection at the intersection of our history and present will help us to better understand ourselves, each other, and our contributions to the world!
In this post, I share ‘The Hiptionary: A Survey of African American Speech Patterns with A Digest of Key Words and Phrases’. I hope you dig it!
They want me to remember. They want me to remember their memories, but I keep on remembering mine.
— Lucille Clifton.
Welcome to your Urban Agenda!
If you’ve ever listened to a segment of ‘Urban Agenda’ you know that we hold space ‘in the village’, a beloved community of our making and remaking, a place where black lives, perspectives and contributions are amplified and celebrated!
“Language can invent anything, so make your own definitions and live as if!” In the wisdom of James Baldwin, words matter. When I say “Beauty”, I mean YOU, the listener/reader/scholar/student/critic. “Fat on That Head” under “Signify! Testify!? My way of sharing information that I hope you will share to inspire others to see Black peoples and cultures through the lens of human-beings rather than through the myths of ‘race’. When I ask, “Can you dig it?” I ask as it is defined in The Hiptionary, 1.”To understand, to comprehend, to be in the know. 2. A signature word in the rise of bebop language. Dig suggests to go deeper into something, to make sure you comprehend. Circa 1930s and 1940s bebop.
One more thing you should know before you decide to read or listen. I love, LOVE, Love, lOVE, LOve, LOVe, LOVE Black peoples and cultures and that is the basis for this work!